Fascist Female Gothic — National Catholicism and the Politics of Fear in Spanish Fascist Women's Writing, 1937–1945

Disgrifiad Cymraeg / Welsh Description

Mae Fascist Female Gothic yn archwilio'r defnydd o ofn yn naratifau propagandistaidd menywod ffasgaidd Sbaenaidd yn y 1930au a'r 1940au, gan arddangos y Gothig fel rhywbeth sylfaenol i'r strategaeth wleidyddol a gynlluniwyd i annog cefnogaeth fenywaidd i Franco, Hitler a Mussolini.

Disgrifiad Saesneg / English Description

Fascist Female Gothic examines the use of fear in the propagandistic narratives of Spanish fascist women in the 1930s and 1940s, showcasing the Gothic as fundamental to the political strategy designed to encourage female support of Franco, Hitler and Mussolini.

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Cynnwys / Table of Contents

Series Editors’ Foreword Acknowledgements Introduction: Fascist Female Gothic Part One: Fascist Women’s Magazines Introduction 1 True Catholic Womanhood and the Monstrous Female 2 Domestic Terror: Motherhood, Marriage and the Horrors of the Everyday 3 Body Horror: Paper Dolls, Inner Monsters and the Uncanny Catholic Woman 4 The Drumbeat of Fear: Gothic Short Narratives in Spanish Women’s Magazines Part Two: Fascist Women’s Novels and War Diaries Introduction 5 Satan’s Fury: Gothic Excess as Propaganda in Concha Espina’s Rearguard 6 Monsters, Mayhem and Madness: Testimony and the Cult of Suffering in Fascist Women’s War Diaries 7 Gothic Espionage: Secrets, Lies and Insanity in Herta Björnsen de Wedel’s Ventas Jail 8 Sealed in Blood: Antisemitism and Racial Stereotyping in Dora Sedano’s Blood Merchants Afterword

Bywgraffiad yr Awdur / Author Biography

Heidi Backes is Professor of Spanish at Missouri State University. She specialises in Spanish Gothic fiction, focusing her latest research on the Gothic literary portrayal of twentieth-century Spanish fascism.