Horror Spoofs and Parodies — Dying of Laughter

Disgrifiad Cymraeg / Welsh Description

Yr astudiaeth gyntaf o anabledd mewn ffilmiau a theledu arswyd modern, yn dangos sut mae'r genre yn troi cyrff, bregusrwydd a gwahaniaeth yn safleoedd ofn a gwrthwynebiad.

Disgrifiad Saesneg / English Description

The first study of disability in modern horror film and television, demonstrating how the genre turns bodies, vulnerability and difference into sites of fear and resistance.

Archebu o flaen llaw

Os nad yw’r teitl hwn wedi’i gyhoeddi eto, gallwch ei archebu o flaen llaw. Byddwn yn dosbarthu eich eitem cyn gynted ag y bydd ar gael gan y cyflenwr ac wedi cyrraedd atom. Gall dyddiadau cyhoeddi newid.

Pre-orders

If this title has not yet been published, you can order it in advance. We’ll dispatch it as soon as it is available from the supplier and has reached us. Publication dates may change.

Dosbarthu

Byddwn yn dosbarthu eitemau sydd mewn stoc o fewn 3 diwrnod gwaith, fel arfer drwy Royal Mail Tracked 48. Ar gyfer archebion o flaen llaw, byddwn yn dosbarthu’r eitem o fewn 3 diwrnod gwaith ar ôl ei derbyn gan ein cyflenwr.

Dispatch

In-stock items will be dispatched within 3 business days, usually by Royal Mail Tracked 48. For pre-orders, we’ll dispatch within 3 business days of receiving the item from our supplier.

Cynnwys / Table of Contents

Processes of Parodisation ‘Dying of Laughter: Fusing Fear and Fun’ – Reece Goodall ‘First as Fear, Then as Farce: Horror Film Sequels, Surfaces, and Serialized Silliness’ – David Scott Diffrient ‘Scarily Bad Acting: Perceptions of Performance within the Scary Movie Franchise’ – Abigail Whittall Genres and Spoof Phases ‘Let’s Get That R-Rating: Student Bodies and Early Horror Parodies’ – Samantha Janes ‘Queering and Historicizing Psycho Beach Party’ – Jeremy Freeman ‘‘Who shoots their vacation videos in 3D?’: Parodying the Inescapability of Convention in Found Footage 3D’ – Heather Roberts Global Spoofs and Parodies ‘Night of the Imperialist Living Dead in Socialist Cuba: the Case of Juan of the Dead’ – András Lénárt ‘Hopping Corpses and Fanged Laughter: Parodying the Vampire Genre in Mr. Vampire Films’ – Diganta Roy ‘From Global Movies to Glocal Parodies: Spoofing the Horror in Turkish Cinema’ – Orhan Sezgin ‘Killer Codfishes and Tramp Monsters: Spoofy Horror Rip-offs in Brazilian Popular Cinema’ – Laura Cánepa, Rogerio Ferraraz and Tiago Monteiro The Media of Horror and Spoof Humour ‘Nintendo’s Lark in the Dark: A Humour Theory Analysis of Luigi’s Mansion’ – Matthew McKeague ‘‘What my thumbs knew’: phenomenology and the uncanny digit(al) in The Blair Thumb – Kaitlin Lake ‘Playing with Horror: How Tim Story’s The Blackening Parodies Tabletop Games Than Slasher Flicks’ – Heather Bas

Bywgraffiad yr Awdur / Author Biography

Reece Goodall is a Student Experience Director at the University of Warwick, where he completed a PhD thesis on contemporary French horror cinema.