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Cyngor Llyfrau Cymru

The Transplantable Roots of Catharine Huws Nagashima — Encounters with the Welsh in Japan

The Transplantable Roots of Catharine Huws Nagashima — Encounters with the Welsh in Japan

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Disgrifiad Cymraeg / Welsh Description

Cyfrol ffres a deniadol gydag ymdeimlad cryf o ofod a lle, ond uwchlaw popeth, yn arddangos dawn i grefftio stori bywyd mewn llenyddiaeth ddogfennol sy'n cyflwyno themâu eangfrydig am waith, antur, ailddyfeisio a goroesiad. Dyma olwg ar bobl yn darganfod tir, bywyd a diwylliant Siapan, gan osod gwreiddiau y gellir eu trawsblannu.

Disgrifiad Saesneg / English Description

Fresh, engaging, with a strong sense of space and place, but above all, a knack for crafting a life story, this volume of documentary literature presents universal themes of work, adventure, reinvention and survival. Here are people discovering and negotiating the land, the life and the culture of Japan, and putting down 'transplantable roots'.

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Manylion y cynnyrch / Product details

ISBN 13
9781917140430
Gwales Code
gwales.com.9781917140430
Gwerthwr / Vendor
Cyngor Llyfrau Cymru
Long Title
The Transplantable Roots of Catharine Huws Nagashima — Encounters with the Welsh in Japan
Sub Title
Encounters with the Welsh in Japan
Awdur / Author
Burton, Susan Karen
Current Price ex VAT
£30.00
Current Price inc VAT
£30.00
Availability Status (EN)
Available
Availability Status (CY)
Ar gael
Dyddiad cyhoeddi / Publication Date
2025-06-06
Cyhoeddwr / Publisher
Parthian Books
Media Type (EN)
Hardback
Media Type (CY)
Clawr caled
Pages
518 pages
Size
129 × 198 mm; depth 38 mm
Language Code
English
Categori / Category
CY: Taith, Twristiaeth, Teithlyfrau (yn Saesneg) | EN: Travel, Tourism, Guide Books (in English)
Is-gategori / Subcategory
CY: Teithlyfrau - Arall (yn Saesneg) | EN: Travel Writing - Other (in English)
FSC Status
No FSC or PEFC logo/certification declared

Bywgraffiad yr Awdur / Author Biography

Susan Karen Burton is an oral historian with an interest in creative nonfiction. She was born in Scotland, raised in New Zealand and spent most of her working life in Japan. There, like many of the interviewees in this book, she began her career as a Japan Exchange and Teaching (JET) Programme assistant language teacher (ALT) in Hamamatsu, Shizuoka prefecture. She was later a Ministry of Education, Culture, Sports, Science and Technology (MEXT) scholar at Tsuda Juku University in Tōkyō. After gaining her doctorate in history from the University of Sussex, she lectured in Japanese universities for ten years before returning to the UK to do a second PhD, this time in creative and critical writing at the University of East Anglia. She won the New Welsh Writing Awards 2020 Rheidol Prize for Prose with a Welsh Theme or Setting for an early chapter from this book, ‘The Transplantable Roots of Catharine Huws Nagashima’.

Adolygiad y Cyhoeddwr / Publisher Review

Foreword by Lord Gregory Mostyn. 'Fantastic group portrait of people and place' – Nick Bradley ‘Pitch-perfect series of dispatches from Japan, each chapter an invitation into a different life – not to mention the fascinating interludes that intersperse each of the interviews. Enlightening and engaging at every turn.’ – Andrew Kenrick, editor, Hinterland Since the first ‘Welch’ sailor set foot on Japanese shores in the seventeenth century to the present-day presence of high-tech Japanese companies in the Valleys, Wales and Japan are two nations with deeply entwined roots. Captured in this groundbreaking book is a chorus of modern-day Welsh migrants to Japan. There is Catharine who, in 1965, followed her Japanese husband to an ‘out of kilter’ house in the seaside town of Zushi; Jac, the ‘capitalist ski bum’, who guides tourists through the bear-infested wilds of snowy Hokkaidō, while on a volcanic island in the Seto Inland Sea, Simon clears jungle vines to develop his vegan farm. There are also actors, writers, teachers, an ex-bouncer turned martial artist, a filmmaker, a games localiser, and many more. There are even Japanese fans who promote Welsh culture in their homeland. Together they form a polyphonic group portrait based on oral-history techniques, mixing travel writing, character study and reportage, while proving an ear for natural speech.

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